All in Cinematography
Here's a video I shot for a friend for her music video. She wanted to do a Sade approach with no on-camera singing. This also gave me an opportunity to explore further the auto-focus capabilities, low light capabilities and slow motion on the camera.
In this episode we'll talk about the first stages of making a film from concept, resources, writing, pre-production up to shoot production and some key steps you can take to make your next short film a success.
Making a sensible film of any sort is tough by any definition of the word, but making a good one? That's a minor miracle. In the next three blog posts we'll talk about things to help you make your next short film.
So you want to be a film maker or cinematographer? One of the first things you must learn is what the five basic shot types are.
Self tapes are a great way to showcase your amazing acting ability, but only if the director can focus on your acting and not how it was shot.
This is the final part of my full in depth review on the camera gear I used to shoot my feature film, the indie comedy “The Hollywouldn’ts.” Here we'll take a look at just how good the Canon is when filming in low-light/no-light situations.
During the course of shooting this feature I was able to shoot with Canon's new Compact Zooms as well as with their Cinema 85mm prime. Here's how they stacked up under a brutal 3 week shoot.
In this second part, I'll discuss the pro's and con's of using Zacuto's rig during the shooting of the Hollywouldn'ts. If you're wondering if a gratical viewfinder or a recoil rig is right for you, read on.
It's been an incredible rush shooting my first feature film and unbelievably grueling. It was also an honor to be the first feature in the world shot on the new Canon C300 Mark II, so let me tell you how the experience was. The goods, the bads, the uglies.
